An interview with Paravathy Baul Ragas Live Festival 2021 #338

An interview with Parvathy Baul, conducted by David Ellenbogen, produced with the support of SACSA. for the Ragas Live Festival

Parvathy Baul is a practitioner, performer and teacher of the Baul tradition from Bengal, India. She is also an instrumentalist, storyteller and painter.

She has performed in over forty countries, including such prestigious concert halls and music festivals as the Noh Theater in Kyoto, the World Music Center in New York City, Melbourne Arts Center and the Festival of World Sacred Music in Fez, Morocco.

She has also collaborated with world’s leading theater director Eugenio Barba.

She visits several dance, theatre and music institutions across the globe in the capacity of a teacher.  

The depth of her mesmerising performance is rooted in her deep spiritual practice.

It is described by critics as “riveting” and “spellbinding.” 

Parvathy’s performance work emerges from a long lineage of master Baul singers, dancers, and spiritual teachers.

She studied closely with two of the most respected Baul singer-gurus of the previous generation, Sri Sanatan Das Thakur Baul and Sri Shashanko Goshai.

She was recognized by her gurus as both a musical and spiritual teacher in the Baul tradition, carrying forward their spiritual legacy. 

Parvathy has co-founded Ekathara Kalari along with Sri Ravi Gopalan Nair, a non-profit institution promoting ancient Indian spiritual traditions, with an emphasis on Baul arts and practice. 

As per her Guru Sri Sanatan Das Baul’s vision, she has established Sanatan Siddhashram, a traditional learning center for the Baul tradition in Birbhum district, West Bengal, India.

Recognising her unbroken commitment to the tradition, the government of India conferred upon her the most esteemed Sangeet Natak Akademi award in the year 2019. It is the highest Indian recognition given to practicing artists.

She was felicitated by honorable President Sri Ramnath Kovind.

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Samarth Nagarkar at Ragas Live Festival 2021 Set 1 Podcast # 337